About me

Pixie Pravda is a conceptual artist who booby-traps language, twisting irony and paradox until words turn against themselves. His work bends logic and reveals contradictions — exposing the fragility of belief, the absurdity of institutions, and the unease of living inside both.

His practice spans text-based works, sculptural objects, and interventions ranging from guerrilla actions to commissioned projects in public space, museums, and corporate contexts. His works reframe the familiar into fractures of paradox and doubt. He stands in dialogue with Duchamp, Kosuth, Weiner, Baldessari, Holzer, and Cattelan — yet twists their strategies into new traps. He makes work that explains itself until it doesn’t.

Alongside his art, Pravda leads a transdisciplinary research project into the Language of Existence — a universal framework exploring how transformation unfolds across physical, biological, and informational systems. His recent publication, The Three Laws of Change, proposes an empirically testable architecture linking responsiveness, relation, and structure.

At the intersection of conceptual art, philosophy, and complexity science, Pravda’s work merges imagination with analysis. He treats theory as material and art as experiment — building bridges between the languages of creativity and the architectures of understanding.

Pravda lives and works near Brussels.