Pixie Pravda’s practice unfolds across four interwoven tracks: Surfaces where language performs on 2D planes, Objects that twist function into paradox, Interventions that intrude into public space, and Series that turn works into larger arcs. Together, they form a catalogue of ideas made visible.

SURFACES

Surfaces are Pravda’s 2D works — language bent flat across walls, mirrors, posters, or screens. Defined by concept rather than medium, they turn any plane into a stage for words. Fragile, reflective, or digital, each surface performs at the skin of things. Surfaces don’t hide. They surface. [See works ->]

OBJECTS

Objects are Pravda’s sculptural paradoxes — tools that betray their function, riddles cast in form. They twist use into contradiction and matter into thought. What unites them is logic, not material. Pravda objects are not just things. And that’s the thing. [See works ->]

INTERVENTIONS

Interventions are Pravda’s public gestures — staged in streets, museums, cemeteries, corporate spaces, or even on statues. From guerrilla insertions to commissioned works, they disrupt shared space with wit and urgency. Interventions don’t ask. They intrude. [See works ->]

SERIES

Series braid Pravda’s works into arcs that amplify meaning. Some take shape as trilogies, others as open constellations. Seen side by side, they become more than collections. Series don’t repeat. They multiply. [See works ->]

ALL WORKS

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